The workaround is of course to export in Prores HQ (as near as dammit lossless) then use Handbrake to reencode at CRF/bitrate whatever ^^ This. Likewise, if a frame has more stationary sequences with almost no movements, ProRes allocates lesser bitrate to it. profile <integer>: You can use this option to choose the ProRes profile to encode. (More technical stuff applies. Both put in PSNRs above 40, and SSIMs above 0. Set the bit rate value to a minimum of 2000 times. Bit Rate File Size. 2. 97; Fast encoding and decoding (both at full size and half size) ProRes 4444 and ProRes 4444 XQ Like standard Apple ProRes 4444, this codec supports up to 12 bits per image channel and up to 16 bits for the alpha channel. The $600 Atomos Ninja V is one of the best as it unlocks the maximum bit rate and bit depth from your camera’s video signal. You’ll get fewer video compression artifacts on YouTube when you upload high quality video formats, as opposed to low bit rate files. The actual bit rate may be slower than the selected value depending on the subject. 640 x 480 for 4:3 content. 88 MB/s Apple ProRes 422 - 78. The file will be large, but significally smaller than HQ but not as small as H. Footage by Neumann Films. PROXY SETTING (ONLY WHEN REC ProRes) Choose whether the camera simultaneously records a duplicate “proxy” video with movies shot in ProRes format. Show More. I really wish Blackmagic would add a more compressed codec like a high quality h. What version of Avid? The ProRes export is "Quicktime" which Avid has 2 of. Toggle on the switch for "Apple ProRes. AAC for Audio Podcasting. The lowest-bitrate variation of the ProRes codec, intended for use in editing software as a. They're not painstakingly tweaked for the best possible quality at a given bitrate. Dec 15, 2021. All pro codecs should give you good results. ProRes is also constant bitrate. 5:1. Atomos Ninja V and 12-Bit ProRes RAW from Sony a7S III. Step 1: Enable ProRes. But I'm not sure you can really see a difference with your own eyes. so there’s specific higher bitrate “flavor” of ProRes or DNx that can account for alpha channel, but. 100 Mbs h265 = 430 Mbs ProRes. In a single generation I was unable to fine any scene where I could see any visible difference. Personally, I export the Insta360 video as ProRes to make my video montages in FCPX. Pin. You won't want less than ProRes 422 HQ for final results anyway. 2K recording with ProRes, high-efficiency image capture, and dedicated AI processing. 4. Apple ProRes 422 HQ. Maximum Bitrate: 16. No banding or blocking. That’s a real achievement; 12 bit RAW in a ProRes HQ bitrate. The quality of the ProRes is significantly higher than the LOG, seen in the face particularly. External controls give quick access to essential functions, while the large 5 inch touchscreen makes it easy to frame shots, focus accurately and change camera. , dass jedes Bild unabhängig von anderen Bildern codiert und decodiertExternal recording is an even bigger improvement. 264/H. Apple ProRes 422보다 압축률이 높은 코덱으로 442. Cineform is an excellent alternative, but a bit slower on Macs. There's a difference mainly in the low bitrate (targetting. In-camera de-mosaic: faster playback and rendering. Unfortunately the bitrate is limited to 1. The following chart is from the ProRes White Paper that Vishu linked to: 1920-by-1080 Apple ProRes 422 HQ at 29. 7K (Apple ProRes 422 LT). 264 Format instead. ProRes Proxy - DNxHD 36 ProRes LT - DNxHD 80 ProRes 422 -. Apple ProRes 4444 XQ features a target data rate of approximately 500 Mbps for 4:4:4 sources at 1920 x 1080 and 29. Then say, we have a simple two-shot dialogue sequence. That’s happened to me. When in ProRes, formats below 4K will automatically be recorded as 2K or HD. The 2nd being a much simpler. AJA KONA 10-bit Log RGB 720 AJA KONA 10-bit Log RGB. 1 samples. The following framerates and resolutions are available: 5. This is the real guts of your video export (and as such, you should dig in to this post on common myths. 7. Despite the additional computational demands of raw video editing, ProRes RAW brings to raw video the same first-rate performance and ease of editing that ProRes has brought to conventional video. 000 kbps and the option to change it is disabled. 97 fps. As stated by Atomos: “Atomos and Canon are delighted to be bringing customers a world-first for capturing stunning pristine 8K images with such an affordable, capable. Apple ProRes 422, with roughly 70 percent of the data rate and. You can also use Proxy or Low-Bitrate HD formats Cineform, Prores and DNxHD as well. If you planning editing the video later with some video editing tools after Topaz upscale, then use ProRes HQ. Fast forward to 3:00 on the YouTube video to see the difference in highlight recovery. ProRes is for editing, because you don't need so much processing power and you have the most information in the footage. The data rates vary based on codec type, image content, frame size, and frame rate. More Data Always Means Better Video Quality. All Apple ProRes 422 codecs support up to 10-bit image sources, though the best 10-bit quality is obtained with the higher-bit-rate family members—Apple ProRes 422 and Apple ProRes 422 HQ. 8:1 gives you a constant bitrate of 121 MB per second – about 7 GB of footage per minute. Recording at 1080/25p, 1 minute of media will take 1. The ARRI Amira upgrade announced last week. Your iPhone supports these resolutions and frame rates: ProRes support for 256 GB, 512 GB, and 1 TB storage capacity: 4K at 60 frames per second (fps), iPhone 15 Pro and iPhone 15 Pro Max only, when using an external storage device that supports speeds of at least 220MB per second and maximum power draw of 4. YouTube: Resolution: 4K Bitrate: 65-80Mbps Codec: H. Since my original files from my camera are only 35Mb/s, i thought that maybe i'd just export as ProRes 422 Proxy instead of ProRes 422. If you shot using H. The actual space taken up may differ slightly due to embedded audio, differing frame sizes and aspect ratios, and inter-frame compression / pulldown. Each variant is named according to bitrate and bit depth, so for example DNxHD 120 means it's a 120 Mb/s 8-bit codec and DNxHD 185x means it's a 185 Mb/s 10-bit codec (the x indicates 10-bit). Apple ® ProRes. 2K and 4K up to 30p from 14-bit readout, rather than 12-bit mode on previous cameras, meaning the. 0GB. 490 0. 1MP APS-C X-Trans Stacked BSI Sensor. 265” codec under the “Mp4” format on the “Deliver” page if you have time constraints. If I dropped the target to 93 VMAF the bitrate would drop to a more reasonable 6,464 kbps. 4:3 or 16:9. Prores HQ can already macroblock quite a bit, the much lighter LT should be understood as a better Prores Proxy. Los iPhone 13 Pro y 13 Pro Max con memoria interna de 128 GB podrán. Match Source - Adaptive Low Bitrate. 3728 x 3104 (3. The actual space taken up may differ slightly due to embedded audio, differing frame sizes and aspect ratios, and inter-frame compression / pulldown. Many reviewers test the sustained write speed. mov' -c:v prores_ks -profile:v 4 -quant_mat 'hq' . On your iPhone 15 Pro or 15 Pro Max, go into Settings, then scroll down and tap Camera. ), encoded frame size (1920-by-1080, 1280-by-720, etc. As such, the codec is ideal for video. KNOWN BUGS / LIMITATIONS : OSX : When exiting the AfterCodecs options dialog, the UI freeze for a few seconds. Open the Settings app and tap Camera. (the general Topaz best practice guidelines if you want to edit a video. That’s a pretty significant jump, but the good news is, storage is becoming more affordable every year, and HDD manufacturers. Si su video se grabó en este tamaño, entonces desea cargarlo en ese tamaño. Raw video playback requires not only decoding the video bitstreamStandard Encoder supports carrying the following audio formats in input containers: MXF, GXF, and QuickTime files, which have audio tracks with interleaved stereo or 5. Also, 4K 30p requires an iPhone with 256GB, 512GB, or 1TB of storage. 7GB in. In 2018, Apple unveiled ProRes RAW, applying its ProRes compression technology to the raw images captured by your camera. 265 was designed to maximize quality on low bitrate streaming, especially 4k and 8k. ProRes 422 Proxy. On my BMPCC-4K, 4K/60/13-bit is recorded in something like 65MB/s BRAW (500Mbps+Audio), the same format in ProRes 422 HQ would be 210MB, and ProRes RAW is only a little smaller, so probably still 3x bigger than BRAW. It also offers exposure tools like. ProRes supports different data rates and different resolutions (from SD to Ultra HD). As a variable bit rate (VBR) codec technology, ProRes uses fewer bits on simple frames that would not benefit from encoding at a higher data rate. LATEST. In real life and depending on the visual complexity of your video your actual datarate will vary and generally not hit the maximum of 220Mb/s. KNOWN BUGS / LIMITATIONS : OSX : When exiting the AfterCodecs options dialog, the UI freeze for a few seconds. AJA KONA 10-bit Log RGB 720 AJA KONA 10-bit Log RGB. FYI ProRes is not a lossless codec. The camera's other frame rates result in slightly lower. The bit rate isn't limited to 1 Mbps for ProRes, that option is just disabled. If you're downloading a two-hour movie in 720p format, its size may be anywhere between 1. Bitrates of X-OCN vs RAW and ProRes. ProRes 422 is 10bit, but it's also an intraframe codec where every frame is encoded individually. I don't want to work with reencoded gargabe. All Apple ProRes codecs support any frame size (including SD, HD, 2K, 4K, 5K, and larger) at full resolution. Turn on suggestions. (However, 4444 XQ is a newer format and isn't as widely supported as ProRes 4444 -- yet). ProRes has five set compression sizes in the family. Media Info still showed it as ProRes422 HQ, and I can't tell the difference in quality. So. 7 to 45. AFAIK, interlaced footage is stored as progressive frames with different temporal information for every line. For high quality local recording one should use the best quality hardware encoder available (AV1 > HEVC > H. Studio for >=4k/Dolby P3D65. 265 videos in frame rates as fast as 4K/120P and FHD/ 240p. The youtube-dl info shows that the 4K UHD VP9 file was 8Mbps compared to the 1080p file being 1 Mbps. This means, every frame consumes equal amounts of bytes no matter the content. The bitrate of Prores HQ in 4K is just over 700Mbps. X-H2S digital camera supports internal recording of 4:2:2, 10-bit Apple ProRes HQ/ ProRes 422/ ProRes LT, and ProRes 422 Proxy at resolutions of up to 6. Now tap Formats at the top. 264 DV high quality the level is set to 3. It’s called ProRes 4444 XQ and it’s a mother-scratching beast. GOP Size or Keyframe Distance: Custom value for the interval between two full images. I have tried so many settings within the. But that's 4K; the bitrate you mention for Prores Proxy and LT. The key here is that ProRes RAW has a quality target, instead of a data target. ProRes. It’s a lot more work and can result in choppier playback. Bit rate setting should be 320 kbps. 264, ProRes 422, ProRes 422 HQ, while popular containers include MP4, MOV and AVI. Aluminum Alloy. 7K at 30p ProRes 422 HQ and C4K at 60p ALL-I. The ProRes files tend to be a bit smaller (particularly 422) than the ALL I. Apple ProRes 422 LT. Battery Type. For bitrate settings that suits your footage you have to try different settings. " Select "Formats" at the top. * Bitrate varies with ProRes compression level and framerate **Audio is Linear PCM except in MP4 mode, where AAC compression is used. Not to quibble, but file size = bitrate x duration. You will need to restart the editor afterward. At 8000 ISO and below, the BMPCC 6Ks low light samples look better than the Sony A7S IIIs, although you can go to a higher ISO with it. The Canon Final Cut Pro plug-in v1. 976p, 24. The camera's other frame rates result in. This ffmpeg command: ffmpeg -i input. The nature of ProRes is a variable bit rate (VBR) codec. 264 and other compressed codecs. “Constant quality” inverts this by un-capping the bitrate in order to preserve fine details even in complicated shots. Tap and choose your preferred resolution and FPS from the options at the top of your screen. For the best image quality, I recommend using ProRes RAW HQ. Примечание. Playback only of ProRes 4444 QuickTime up to 1080p60 with auto routing of fill and key over SDI A and B outputs. Formats and Resolutions vervie of ARRI digital motion picture camerasThe benefit is that, unlike ProRes, you can define the bitrate to whatever suits your needs regardless of dimensions. ), and frame rate (23. 338. One way to think of it is the more compressed a video file is, the more processing is required to compress it as well as to “decompress” it to play it back! The second issue is that your intel laptop will have hardware accelerated H264 encoding/decoding built into the intel chipset. Apple ProRes 422 LT's target data rate is approximately 102 Mbps at 1920 x 1080 and. Target Bitrate: 14. As a variable bit rate (VBR) codec technology, Apple ProRes uses fewer bits on simple frames that would not benefit from encoding at a higher data rate. BUGS FIXED : Slight color shifts in ProRes has been mostly corrected. ProRes 4444 uses 4:4:4 color sampling to encode RGB log film scans, and a higher bit rate (less compression) than the ProRes 422 codecs. If video quality is your number one priority, then by all means, upload ProRes, DNxHD or uncompressed HD video files. 97fps 기준 약 147Mbps입니다. 264 is better than ProRes. In Adobe Premiere Elements 2023, when I use "Add Media" to add any iPhone Prores video with a H. Un iPhone de 128 GB puede almacenar un poco más de una hora en este formato mientras que el modelo de 256 GB alcanza las dos horas de grabación. The prores on iPhone seems to almost be more of a ‘flex’ feature than a practical one. Finally, let's talk about ProRes quickly. See the Apple ProRes 422 Codec Family for a general description of the shared technical characteristics as well as history of the format. ProRes is a variable bit - 11112615. 265 using Apple Compressor. That'll take 12-36x longer than H. What is the resolution and bitrate of low, medium and high resolution?I'm using the prores_ks codec and following the intructions on the man page this is my command, testing on a QTRLE encoded file with 8-bit RGBA: ffmpeg -i '. [snippet] ProRES RAW vs ProRES HQ ProRes RAW HQ. 7. H. Regular_Actuator408 • 7 mo. About Apple ProRes. ProRes renders the face much better – right+click and open image in new tab to see it full screen. Una de sus grandes bazas es que es la primera cámara con sensor APS-C que permite grabar en 8K con el códec Apple ProRes en tres variantes: ProRes 422 HQ, ProRes 422 y ProRes 422 LT. Apple ProRes 4444 XQ features a target data rate of. 3K at. These can be magnitudes larger in size and resolution and whilst with enough horsepower maybe easy. Images recorded in a 4:4:4 codec are almost indistinguishable from uncompressed HD or UHD material. ProRes is a video file format, or “codec”, developed by Apple in 2007. Looking at the ports, you get the remote, mic,. 264 on youtube). 07 GB/min or 424 GB/hr. The upgrade to a 5th generation processor introduces new abilities like 6. It can also capture 12-bit ProRes RAW video. Apple ProRes 4444 XQ and Apple ProRes 4444 support image sources up to 12 bits and preserve alpha sample depths up to 16 bits. (maximum bitrate 200Mbps) and H. ProRes 4444 and 4444 XQ render even better quality with YUV 4:4:4, a color depth of 10 or 12 bits. The file will be large, but significally smaller than HQ but not as small as H. If you turn ProRes off in the Camera app, the format of the video will default to the format you set under Camera Capture in. Apple ProRes is a codec typically used by editors as an intermediate codec to edit from. *Selectable bitrate will be changed depends on the setting. Luckily ProRes works well enough. For example, ProRes HQ for 1080p at 29. Three factors contribute to this: 95 VMAF is a very high quality target. " In order to compare the members of the. *Recording time can become short depending on the temperature and/or shooting conditions: Film simulation modeFile Size: Length (HH:MM:SS:FF): Length in Minutes: Length in Frames: 35mm 4P (Feet+Frames): 35mm 3P (Feet+Frames): 35mm 2P (Feet+Frames): 16mm (Feet+Frames):On average, one hour of HD footage (ProRes 422) requires approximately 51GB of storage; or roughly 850MB per minute. No banding or blocking. 25 MB/s. This codec is best when exporting your film for film festival screenings or delivery to a major streaming service or broadcast network. Luckily ProRes works well enough. Images are recorded directly to AtomX SSDmini or other. Internal Recording. Apple ProRes ProRes codecs take full advantage of multicore processing and feature fast, reduced-resolution. , only using "I" frames. Prores is a 'variable bit rate codec'. Apple says a one-minute 10-bit ProRes video is approximately 1. It is 10-bit, which means it provides 1,024 shades of gray or shades of each color per pixel. This delivers the flexibility of RAW video with the incredible performance of ProRes in a format ideal for high-dynamic-range. The slight issue here, as we already know,. The 128GB handset variant can shoot ProRes at 30fps, but at a significantly. Click that and add the "Toggle Proxies" button to your program monitor. ProRes is nice for fast editing, but gets crazy large compared to AVC/HEVC. ProRes is an excellent codec for editing and finishing. Each flavor of ProRes features a higher bitrate, allowing users to make the trade-off between quality. The Apple ProRes 422 (HQ) codec offers the utmost possible quality for 4:2:2 or 4:2:0 sources (without an alpha channel) and provides the following: Target data rate of approximately 220 Mbps (1920 x 1080 at 60i) Higher quality than Apple ProRes 422. The bitrate you need to get equivalent quality from HEVC to ProRes is fairly similar. Thanks for answer! So one is to assume that MOV in R7 and. Included in the update is support for ProRes Proxy, ProRes LT, ProRes 422, and ProRes 422 HQ. For ProRes, follow the standard presets in your video editor to export your file. It also has ALL-Intra recording (C4K, 4K or 3. Apple ProRes RAW applies ProRes compression technology to RAW image data from the camera sensor. 5:1 give you a constant bitrate of 194 MB per second – about 12 GB of footage per minute. We don't know the bitrate behind these photos, thats also important. This preset matches your output video to the core source settings (resolution, frame rate, etc. Higher means better: ffmpeg -i input. All these codecs beat the bitrate you have listed with the H. Cineform is about 235 Mbps from what I understand and is closer to Prores 4444 (might be overkill) DNxHD 100/115/145 @ 8-Bit+ (Keep it in the SQ class of codecs for 145 Mbps or lower) 1 Upvote. setting 256 kbps and outcomes 247 kbps. Both codec families are resolution independent, but bitrate will vary depending on if you output a proxy file or a higher resolution file. 2K/30P and 4:2:2, 10-bit h. You can choose between two ProRes RAW compression levels: ProRes RAW and ProRes RAW HQ. Plus depending on the bitrate you may get banding or other artifacts. 12-bit N-RAW, ProRes RAW HQ and 10-bit ProRes 422HQ and H. The low bitrate means that the files are much smaller, so you can use fewer/smaller/cheaper hard drives, simplifying your workflow. It will put the bitrate at 20 (which you can't change) but the file will be a lot smaller. ProRes is an apple product after all. And it's a range because of its variable bit rate, so that's the approximate bit-rate on normal images. It won't be identical, but you'd probably not notice the difference in a single generation. Interlaced, progressive. Along with 8K60p, the Z8 supports 4K capture at up to 120fps and 10-bit ProRes, H. By default, Premiere Pro includes a few adaptive Match Source presets for the H. We are wondering if it is possible to reach adequate quality with H. 25 MB/s . This is a significant part of why inter-frame H. In general, a lower keyframe value results in a higher-quality video but may increase file size. Posted August 12, 2020. 265 and three tiers of ProRes: the high bitrate 422 HQ, the standard 422, and the more compressed 422 LT. Best practices and export settings for various platforms. Quality Q0 and Q5, Constant Bitrate 3:1, 5:1, 8:1, and 12:1. After I’m done, I archive the ProRes footage by re-encoding it as 10-bit h. However, while this camera has many great features, it has some flaws and frustrations. Although the variable bit rate for ProRes means that results will vary, specialists report that the 220 Mbps target data rate for Apple ProRes 422 HQ would yield a one-hour file of about 97 GB. This tool is intended to give an indication of the amount of space a given video format will take up on disk. 4K, on the other hand, requires close to 226GB of storage—almost 4GB per minute. To be technically correct, the statement is "10-bit h26x is as good a codec as Prores HQ at the same bitrate". But. You can also use Proxy or Low-Bitrate HD formats Cineform, Prores and DNxHD as well. 3728 x 3104 (3. Maximum quality means ProRes 422 HQ,. Set your project settings to the format you want to export. avi -c:v prores -profile:v 3 -c:a pcm_s16le output. 5 Mb/s Frame rate : 59. 264 variants can look better at a given bit rate. in Software, Announcements. This opens the Preset Settings window. Construction. ProRes target data rates; Dimensions: Frame Rate: ProRes 422 LT: ProRes 422: ProRes 422 HQ: UHD 3840 x 2160: Mb/s: GB/hr: Mb/s: GB/hr: Mb/s: GB/hr: 24p: 328: 148: 471. Source: X-OCN White Paper. 97 fps. But, it can go up a bit or down a bit, in that range. 264 for Video Podcasting. g. 264 or H. ProRes LT retains better overall image quality compared to ProRes Proxy as it includes every pixel in the clip and it doubles the bitrate of the latter. ), and frame rate (23. Because companies publish their own specifications in different formats, it can be difficult to compare codecs directly. FFmpeg comes with 3 different prores encodes: "prores", "prores_ks" (formerly named "prores_kostya") and "prores_aw" (formerly named "prores_anatolyi"). This is 3840x2160 ProRes 444. . Constant Quality. Si su computadora y software de edición lo admiten, ProRes 422 es el formato de archivo de mayor calidad para cargar en YouTube. Performance may vary based on system configuration, media type, and other factors. Is such a high bitrate really necessary that generates such a large file?On paper, the Fujifilm X-H2S is a beast. 265 File Type: mp4. 88 MB/s Apple ProRes 422 - 78. Balancing strong photo and video capabilities, the FUJIFILM X-H2S is a multimedia mirrorless camera featuring a newly developed X-Trans stacked sensor,. FP let’s you take ProRes 4k60 fps at the expense of colorspace and your phone heating up 😅. DPX, or any other combination, you’ve come to the right place. Log ProRes clip in a sequence with Maximum Bit Depth on. 8K ProRes RAW recording is now available up to 30fps with the latest firmware updates for the Atomos Ninja V+ and the Canon EOS R5 camera. Apple ProRes White Paper. Best used with Apple machines and apps. 97fps comes in at 220 Mbits/second. In general, for recording purposes, you don't want to go below 422 HQ; even plain 422 is already a trade off and should only be done for footage you don't care for. ProRes RAW is a new codec, released by Apple, that allows for a new standard of video compression for RAW Footage. FFmpeg contains two ProRes encoders, the prores-aw and prores-ks encoder. " Choose the "1080p HD at 60 fps" or "4K at 30 fps" ProRes video resolution depending on your storage model. These files will survive being recompressed to ProRes 20+ generations. 265 would retain more data than ProRes, but I was surprised that it does so well with just 1/5 the data. 4 SUP 7. Then I looked at some footage from a different job and a different Mini. Internal ProRes 422 HQ and F-Log 2. Saw couple "lossless" tutorials on the web, but people get absolutely ridiculous files with 1 million bitrate, which is more than ProRes or other barely compressed codecs in some presets, but they use it for compressed h264,. About Apple ProRes. You can change color temp, tint, ISO in braw. 10-bit ProRes up to 422 HQ, approximately 880 Mbps is supported. According YouTube below X-H2s only one camera provide built-in internal Apple ProRes 422 LT video recording feature. The ProRes Encoder includes a variety of Apple ProRes codecs: ProRes 4444 XQ, ProRes 4444, ProRes 422 HQ, ProRes 422, ProRes 422 LT or ProRes 422 Proxy. Match Source - Adaptive Medium Bitrate. If I have difficult footage—something with a lot of fine detail or motion—I will increase the bitrate. As Apple defines it “The role of a codec is to preserve image quality as much as possible at a particular reduced data rate,. ProRes 4444 uses 4:4:4 color sampling to encode RGB log film scans, and a higher bit rate (less compression) than the ProRes 422 codecs. The monitor looks very similar to the original, including the brightness and color. Use an intermediate codec like ProRes, DNxHD or Cineform. As a practical matter it’s more likely that any given ProRes implementation will support things we want for higher-end work, such as 10 or more bits. ProRes isn’t a single video codec but rather a family of six standards of varying quality. 26 GB. ProRes Proxy at 720p is 18-45Mbps based on 24-60fps. 264 isn't the right tool for multicam and your expectations for low bitrates are out of line. This includes ProRes Proxy, ProRes LT, ProRes 422, and ProRes 422 HQ. The data rates vary based on codec type, image content, frame size, and frame rate. The X-OCN LT has a lower bitrate even when compared to ProRes 422. Bitrates of X-OCN vs RAW and ProRes. 8Easy Online Video Size Calculator [4K Included] How-To Guide: 1. Here’s a handy list of bitrates: ProRes Proxy will deliver a max bitrate of ~170Mbps at 4K; ProRes LT delivers a bitrate of ~360Mbps at 4KYes, the bitrate of ProRes 422 Proxy is still likely going to be higher than the bitrate of H. Please Note: Apple ProRes is a variable bitrate codec, therefore a longer recording time than initially indicated on the camera may be possible. See moreLike standard Apple ProRes 4444, this codec supports up to 12 bits per image channel and up to 16 bits for the alpha channel. 720x486 (NTSC) 720x576 (PAL) 1280x720 (HD) 1920x1080 (FHD) 2048x1080 (2K Cinema) 2048x1556 (2K Film) 3840x2160 (UHD) 4096x2160 (4K Cinema) 4096x3112 (4K Film) Codec: 8-bit YUV 10-bit YUV 8-bit RGB 10-bit RGB (DPX) 16-bit RGB YouTube H.